Venere on the Road
Æsthesis feeds the need of revolution, a transvaluation of all the previous supposition about pseudo-classical delightfulness in contemporary art approach; a new way to intend art itself, beauty and social awareness inside a chaotic world of injustice, pollution, and unreliability. There's no 'How,' there's no 'Why'—is just necessary. In this way, considering as fundamental our past, our origins and our future possibilities, we can't deny ourselves a new way to perceive art, a way in which we can see together past, present and (as of the end of our synthesis) future. This all-encompassing process of fusion (an idea that I've already developed and structured in different approaches in other projects) is now processed in two different points.
I. Visual Content: the intermediation between Hellenic, or Classic Art and modern structure as Industries or roads, cargos, etc.;
II. Used methods: the digital elaboration gives the possibility to explore from a different point of view the process that generates art itself and how effectively the art isn't relegated to a precise place, but it's a general, human process due to the Zeitgeist.
So, for these reasons, Æsthesis tries to show how the art's possibilities aren't linked to the «hic et nunc», but are a sort of specter of our collective consciousness.